Prejudice in The Hurricane and Knife\'s Edge

In its simplest form, we think of hurt in terms of race, culture, or religion. However, the word, prepossession has a a great deal deeper signifi gitce and preponderance in the world. prepossession, a preconceived popular opinion that is non based on reason, or actual survive means, pre-judgement. Throughout the twenty-first century, the prevalence of more overt forms of prejudice have diminished, and more discriminating forms have taken its place. Prejudice itself is convoluted and hard to resolve, hardly a myriad books, shortly stories, movies, articles, and websites have been dedicated to bringing up awareness of various types of prejudice, and how it can be dealt with. The Hurricane, by Norman Jewison, and, Knifes Edge, by Malorie Blackman, are 2 examples of texts associated with prejudicial topics. \nThroughout, The Hurricane, Jewison uses simple techniques in complex context, in crop to communicate the underlying message. Non-diegetic endure plays a large dissocia te in the guide, with it being utilize to add potency to scenes. Jewison uses have a go at it footage, and protest songs to connect with the audience, and process the overall gravitas that the film holds. The key use of non-diegetic work can be seen in the implementation of dog Dylans song, The Hurricane, that was create verbally at the conviction of the incident. The wrangle used in Bob Dylans song, is very affectional and blunt. An innocent man in a living hell, When a cop pulled him...Just like the time forrader and the time before that, the use of emotive verbiage in the song, makes the audience supplication for Rubins innocence, and take his human face throughout the movie. The overall orchestrate of Jewison, through the implementation of diegetic sound, is to delight a centre that would not have been present nevertheless in the visuals of the film. \nUnlike, The Hurricane, Malorie Blackmans, Knifes Edge, is a make more sinister and insidious. Its dour light shines upon the raw meaning of prejudice. The confrontation ...