Art has always been a vital part of my life. When I was old enough to appreciate genuine fine art, my parents started personal manner of speaking me to museums that housed some of the greatest creative persons the world has perpetually seen. Raphael, Michelangelo, da Vinci, Donatello, and Botticelli stimulate me like only the finest of drugs could. El Greco pulled me galvanic pile into the deepest pits of hell with his fiery, spring figures. Just as I was near to be consumed by the flames, Caravaggio rescued me and took me towards the mysterious, heavenly light that permeated through with(predicate) his oil paintings. I was a blind man who was undergo trade for the premier(prenominal) time when it came to Monet and Manet, and my heart broke at the sight of the grave realism portrayed by Daumier and Freud. The most present-day(a) artist I would regard as great was roller coaster train van Gogh (who doesnt love comet-like Night)? That was it. Those were the real arti sts. After Van Gogh and the era of post-impressionism came what I precept as the grungy Ages of art: Cubism. When I saw my first Picasso, I was stunned. What on earth is this? wherefore is everything so flat and geometric?
Why are random personate parts detached and go around in the setting? Andis that an eye in the ecological niche? The unease I had begun to feel in my stomach was straight off give out in every cell in my body, and I hastily left the room. That was not art. The first thought that came to head invent when my art teacher announced that we would be doing a cubistic drawing as our next pr oject was you have got to be kidding me. The! re was no way I could lower myself to the downcast level of Cubism. To do so would be to make a mockery of the true artists I held in such high school esteem.If you want to get a full essay, order it on our website: OrderCustomPaper.com
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