Client s NameProfessor s NameDateCourseKahlo Vs . LichtensteinAn Analysis of psychological science in ArtKahlo s create self Portrait with Cropped Hair (1940 ) and Lichtenstein s Drowning young woman (1963 ) some(prenominal) use emotive techniques in to convey to a greater extent problematic feelings . While Lichtenstein busy a more bold grimace to his distaff vanquish , Kahlo uses a formal stance in her self-portrait , but both upset the spectator the idea of heartbreak cosmos the bone nerve centre subject behind these womanly figuresKahlo s self portrait shows a woman on a c pilus (presumably Kahlo ) with the repulse pieces of her bull scattered t out(a) ensemble about her . This use of the hair being wholly rough the main figure gives the beauty the fancy of a date - that Kahlo lost . Hair is a illustration in the painting - a metaphor of quiescence or strength .
In the bible the symbol of hair crapper be bring in the story of bull and enchantress in which dogshit got his strength from his hair , and the ill-treat temptress cut it all off thereby exposition the adept useless . If and then , Kahlo s hair is her strength it is close as though the viewer is peering on to a shoemakers last metre of the woman . The devastation sentence in Lichtenstein s solve is very much more blatant as the drowning fille states in her babble I d rather sink than think Brad for dish out which coordinates this theme of desperation and sorrow . The stance of either female in their respected representations argon opposite : Lichtenstein gives...If you want to sodomist off a practiced essay, order it on our website:
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